3/19/2023 0 Comments Simple comic umbrellasYes, I’m recommending a more obscure series that was nominated for GLAAD’s Media Award 2016. The series also hits a nice midpoint between action and quiet introspection, as Kamala’s powers are heavily influenced by her self-image, among other things.Ħ) Midnighter, by Steve Orlando/ACO (2016, and its sequel, LGBT-friendly, 15+ BUT I would say that it’s more for adults) Don’t worry, it can get plenty trippy as well (shapeshifting and teenagers always tends to be a messy combo). You’re most likely still emotionally torn apart by the ending, so here’s a more upbeat story that’s mostly just about a teenager coming to grips with her powers, protecting Jersey (while also periodically running into the likes of Wolverine), and figuring out who she is as a person. Willow Wilson/Adrian Alphona (start at 2014 run, 12+, the most family-friendly option here) Oh, and there’s also some satire of consumerism here and there. But trust me, it’s all about a weird found family and how they deal with their various issues. An ambulance driver runs into the team, realizes that maybe her past makes her a fit for the crew, and it’s spoilers all the way down from here. Just like Umbrella Academy, it’s pretty trippy, character-driven, and darkly funny at various points. Don’t worry, this partially-blind furball survives, as the writer doesn’t resort to the cheap tricks to wring tears from the audience.Ĥ) Doom Patrol (Gerard Way/Nick Derington/Tamra Bonvillain run, but I’d honestly tell you to read the earlier runs too, 17+)įun fact: Gerard Way also wrote for DC before and even curated an imprint (Young Animal). The most memorable non-spoiler moment I can tell you about is where Clint and Kate save the dog from some traffic and then bring him to the vet. It’s also a series that tends to skew towards character studies, although there’s some mobster-punching as well. Why am I recommending you an old solo run of the most boring Avenger in the MCU? Well, for starters, it actually features some highly adventurous storytelling (between an issue from the dog’s point of view and an issue that utilised sign language). This is another highly stylish and intelligent series (that you should read twice, as it features some on-point foreshadowing).ģ) Hawkeye, by David Fraction/David Aja/Javier Pulido (2012, 12+) Nothing is ever simple when gods are involved, naturally, and a fangirl and a reporter set out to find out the truth behind the cycle. They inspire some truly intense stans and haters, and die in two years. This time around, they are musicians (feel free to play spot-the-references here, starting with Lucifer’s called-out David Bowie impression). In short, gods return to Earth every ninety years as young people. If you’re an adult who grew up with Riordan’s books and/or a music fan who’s looping Umbrella Academy’s OST, this stylish series with a morally ambiguous cast is for you. And read the essays at the end.Ģ) Wicked + Divine, by Kieron Gillen/Jamie Mckelvie/Clayton Cowles (LGBTQ+ friendly, 17+) Please refer to the magenta-tinged introduction of Berg and Cullen for one such example. Additionally, the art is utterly stunning, whether during the quieter conversation scenes or the action set-pieces. Certainly, it’s a story of loss and trauma, but it’s also a hopeful story (for reasons I can’t disclose because it spoils a certain major reunion in Vol 1). In it, the Sangerye family simultaneously deals with their own dysfunction and the devils racism and hatred create. Now, go back to the Harlem Renaissance with the series that won the 2020 Eisner for “Best Continuing Series”. You’ve seen the Civil Rights movement in the 1960’s in this season, along with Allison’s work as a community organizer. Comixology’s age ratings will be provided, just in case.ġ) Bitter Root, by David F. Just assume that this list is written with adults in mind, between the avant-garde nature of a number of mentioned series and the mature content in some of the entries.
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